EL DAC Measurements – Optical vs Coaxial vs USB

A number of requests for EL DAC benchmarks have popped up lately. Below you’ll find our usual set of tests, conducted in each digital input mode.

Test Setup

  • EL DAC v1.01, no DIP switches (filters: SD High, SLOW Low, SSLOW Low)
  • JDS Labs 16VAC, 1000mA US transformer
  • 3ft USB cable with TDK ZCAT2035-0930 ferrite, connected to a Dell P2715Q USB port*
  • Monoprice 6ft TOSLINK cable
  • Monoprice 3ft, 75-ohm coaxial cable
  • Prism dScope Series III Audio Analyzer
  • Windows 10 Pro w/Creators Update*
  • Microsoft UAC2 drivers*

* Denotes changes from our 2016 test setup

Our archived EL DAC screenshots from 2016 prototyping contain codenames and irrelevant content; the analyzer test PC has also changed over the past two years. Thus, the entire collection of benchmarks was repeated for this post to give some sense of screenshot consistency. Sampling rates, frequencies, amplitudes, and analyzer configuration data should be discernible for each measurement. Configuration details are essential to anyone who wishes to compare or replicate our measurements, so please feel free to reach out if any information is unclear. As a general reminder, different test setups will produce different results!

Operating System Configuration

Also take note of the operating system setup information found in EL DAC’s Instructions Guide, page 4:

When using USB mode, set sampling rate to the highest integer multiple of your music collection. For example, use 24/176.4kHz for a collection of 44.1k or 88.2k or 176.4kHz files. Use 24/192kHz for a collection of 48k or 96k or 192k audio files. Alternatively, you may use ASIO drivers.

EL DAC automatically selects appropriate clocking rates for Optical and Coaxial S/PDIF modes. S/PDIF input is optimized for 44.1k, 48k, 172.6k, and 192k source sampling rates.

The above suggestions are applicable to all PCM DACs and ensure maximum MCLK rates are provided to the DAC. Deviating from these suggestions will limit MCLK rates, resulting in fewer interpolation samples to the AK4490, and a consequent decrease of 0.35dB frequency response in the highest audible octave. So, follow the instructions guide. More on this another day.

In accordance with these recommendations, the USB Playback device in Windows was set to 24/192kHz for all 48k and 192k tests.

TOSLINK Connectors @ 192k

Before diving into benchmarks, it’s important to note that we have  used three different styles of optical jacks in EL DAC since 2016 due to worldwide inventory shortages (no circuitry, ICs, or passives have changed). While all three TOSLINK connectors tested successfully at 192kHz on the audio analyzer, two customers reported unsuccessful optical connections in early 2018, so we promptly exchanged as needed, and eliminated the troublesome optical jacks. OL DAC and EL DAC only ship with the preferred Everlight TOSLINK connector as of March 2018, and benchmarks below were conducted with the Everlight connector.

Benchmarks

Frequency Response, 20-20kHz, 192kHZ Sampling Rate

Noise, A Weighted w/8x FFT Buffering

IMD CCIF, 19k+20kHz Tones @ -7dBFS, 192kHz Sampling Rate

IMD SMPTE, 192kHz Sampling Rate

Linearity, 48kHz Sampling Rate

Jitter Components, 12 kHz -1 dBFS Signal, 192 kHz Sampling Rate 

Dynamic Range, -60 dBFS Signal, A Weighted, 192kHz Sampling Rate

THD+N Sweep 20-20kHz, -0.15dBFS, Various Sampling Rates (see legend)

The TOSLINK and isolated coaxial inputs rely on the same S/PDIF to I2S controller, thus, performance is similar in most scenarios. Optical and coax modes mode achieve slightly better THD than USB mode. Jitter is more ideal in USB mode, as expected from comparison to an S/PDIF signal. All results exceed our expectations for audible transparency.

As always, discussion is encouraged!

What’s Next

JDS Labs is swamped between several active projects and double digit order growth. Time allowing, we’ll share a measurement perspective of interpolation filters.

6 thoughts to “EL DAC Measurements – Optical vs Coaxial vs USB”

  1. Oh, that’s nice to see. Charts are often a lot more informative than single-number stats. USB Linearity really cuts off fast at 118-ish DB, and TOSLINK seems to extend better than Coaxial.

  2. Most interesting thank you for this in-depth article, as an EL Dac owner this was a fun read. Most intriguing for me was the different frequency responses (slight differences in the roll-off).

  3. Just wondering, what is the reason behind setting the USB to the highest sampling rate? Wouldn’t it be better to set it to the music’s native sampling rate?

    1. @Cris – Setting the highest integer multiple of the source files is preferred because up- or down-sampling can be performed without floating point rounding, so the audio remains lossless. At 192kHz, you can listen to 48k, 96k, or 192k files with the same, optimal DAC performance. Examples:

      192k/48k = 4: OKAY
      192k/44.1k = 4.35374149…: REQUIRES ROUNDING

  4. Hi, can you explain the meaning of linearity in terms of audio measurement? Does it mean target peak level vs measured peak level? What kinds of test signals are being used? Can it be affected by DC offset or very low frequency like <5Hz? Is it a valid method to judge ENOB? If no, which method will you suggest? Thank you very much!

    1. Great questions. Yes, linearity is the measured output level compared to the target level. Our analyzer defaults to 1kHz sine waves.

      Linearity is a fine way to judge ENOB, just keep in mind that there is no consensus as to how much deviation is acceptable: is an error of +/-0.1dB okay? How about +/-1dB? Surely +/-10dB would be a disaster. It’s well known that real world 24-bit performance is a pipe-dream. The best recordings at this time achieve ~21-bits. Thus, even the best ears can safely ignore linearity measurements beyond -120dB.

      Non-linearity is easy to see. As for the meaning of linearity, a DAC with a noise floor of -95dB will produce -95dB output for a -100dB signal. I’ll leave the adjectives to talented audio writers.

      Yes, linearity may vary at different frequencies. This is why it’s also relevant to conduct level sweeps, like THD+N vs Output Level (1mVRMS to 2VRMS). A typical THD+N vs. Frequency sweep is easy to interpret; an output level sweep is harder to subjectify. It’s important not to confuse distortion and noise. In general, a DAC which achieves low distortion + Noise versus Output Level is likely to also be quite linearity. Most likely.

      I suggest finding a way to evaluate your personal noise performance

      • How low of a volume can you hear?
      • How much deviation can you detect (0.1dB, 0.5dB, 1 dB…)?
      • How much distortion can you detect (probably ~0.005% within your hearing range)?

      Once you know this information, you can then make better use of linearity, noise, and distortion measurements. Without knowledge of your ears, it’s all rather meaningless!

      DC offset is an interesting consideration. A clean DC offset should be consistent at all levels, so output will be relative to the amount of offset. This would be easier to express with a few measurements…

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